a cane walking SUPPORTED BY THE GALLERY OF CORPSES
But Prini Corella decides not to die of multiple fractures and injuries inflicted on most of his body as each had foreshadowed, inexplicably superior strength allows the elderly to circumvent not only to death but their ruthless aggressors by explicit order of his-presumably protective-Jacques de Grinaldi Abbot, had him killed.
Although his recovery is slow the unfortunate "doctor absolut" Melissa knows tell the enigmatic precepts to follow in the complex and patient preparation of potions, poultices greasy, bitter brew, aromatic balms and ointments miraculous that she prepared with such superiority that have been able to provoke the envy of any healing expert.
Every other day the girl clean the old man's body with a liniment camphor in plantain leaves taking care not to wet the canvas fractures involving previously coated with a greasy plaster mixing with three different types of herbs, huevo y migajas de pan mojado, que en menos de tres días había endurecido lo suficiente como para mantener al Magister Prinio Corella prácticamente inmóvil. Del mismo modo Melissa provee los alimentos del anciano escalfados con porciones generosas de legumbres, vegetales, frutas y abundante jugo de naranja. Con cierta eventualidad incluye en la rigurosa dieta del Magister algo de pescado, almendras y aceitunas verdes, pero lo que nunca falta en la cesta de los víveres es una exquisita porción de queso de cabra, una hogaza de pan de centeno recién horneado y un vaso de vino tinto de Malvasia. Todo esto sin omitir los brebajes y remedios que el mismo Corella sé auto prescribe cuidando de observar meticulosamente los pasos del arte y la ciencia that in God's name Melissa modestly prepared.
had not spent three months or a speedy recovery and and Dr. absolut walked every inch of each of the hidden spaces of the ancient mosque. Supported by a cane walking through the gallery of the bodies when he noticed that one of the walls of the back wall was oriented toward Mecca and it was excelled by a large niche or mihrab that still retained in all the sumptuous splendor Byzantine decoration of buildings. Next to the mihrab, right, there were still remnants of masonry which may have been the pulpit and later a still richly decorated staircase leading a podium covered with a conical roof canopy.
The Master used to stay long time in the prayer room sitting in front of a wall decorated with ceramic mosaics of brightly colored gold, blue, terra cotta and ocher, whose geometric patterns and textures are repeated endlessly braiding in a variety of variegated forms on the surface, where the phenomenon of horror vacui created a wonderfully harmonious appearance. Pondered the good man against the wall some thought at the very moment in which a mosaic from the wall by an unexpected noise made him turn his attention to a specific point in the web of interlocking crosses and stars. Corella
awkwardly approached the wall and noted that the profusion of lines on the surface irregular crack perfect camouflage amounting to the height of a man. A cast-iron railing with plant motifs running throughout the bottom of the wall, inches from where the fragment had fallen polychrome, the old man discovered a thick ring subjected to moving a rod that penetrated at a specific point the wall, with great sagacity the old noted that the ring exprofeso hugged a couple of branches of the vine twisted iron. Corella Prini struggled for a while until he managed to loosen the metal ring. And then a precipitous a crude mechanism abruptly slid back a sliding door revealing a passageway down more than three meters above the floor. Read
CHAPTER 34
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